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The area known as the Grote Markt is situated outside of the city limits of Antwerp. A short distance from the Scheldt is Op wandelafstand (via de Suikerrui). It’s a tiny location with an abundance of gold. The middeleeuwse woonkern contained a forum of small net buildings known as the Grote Markt. In 1220 aan de stad, Hertog Hendrik I van Brabant (1165–1235) had already established his community foundation. The year 1310 marked the first recorded use of the name Merct. The first year markets of the forum were held here, and the goods were cooperatively handled. The name will be referenced in Grote Markt in the sixteenth century.
In the Eilandje neighborhood of Antwerp, Belgium, next to the Scheldt River, lies a museum called the Museum aan de Stroom (MAS; Dutch for: Museum by the Stream). It is the biggest museum in Antwerp, having opened in May 2011.The Hanzestedenplaats was chosen by the city council of Antwerp in 1998 as the location for the museum. The first brick of the structure was placed on September 14, 2006. Museum artifacts arrived in 2010 from a variety of other museums, including the now-defunct Maritime Museum and the Ethnographic Museum. On May 17, 2011, the museum opened to the public.
Located in Antwerp, Belgium, the Cathedral of Our Lady is a Roman Catholic church known by its Dutch name, Onze-Lieve-Vrouwekathedraal. The Diocese of Antwerp’s current seat was begun in 1352 and has never been “completed,” even though the first phase of building was finished in 1521.Jan and Pieter Appelmans, two architects, built it in the Gothic style. Along with paintings by painters like Marten de Vos, Otto van Veen, and Jacob de Backer, it includes several important pieces by Baroque painter Peter Paul Rubens. The cathedral, with a tower standing 123 meters (404 feet) over the city, is the biggest Gothic church in Belgium. The cathedral’s belfry is a part of the UNESCO World Heritage Sites Belfries of Belgium and France entry.
The Antwerp Zoo, also known as ZOO Antwerpen in Dutch, is a zoo situated near to the Antwerpen-Centraal train station in the city center of Antwerp, Belgium. Founded on July 21, 1843, it is the oldest animal park in the nation and among the oldest worldwide.De Koninklijke Maatschappij voor Dierkunde van Antwerpen, formerly known as Société Royale de Zoologie d’Anvers (The Antwerp Royal Society for Zoology), has been in charge of the park from its founding. This also led to the zoo being known by the well-known moniker “De Zoologie.” The original goal was to promote the fields of botany and zoology. Renowned botanist and naturalist Jacques Kets served as its first director (10 November 1785 – 1 February 1865). His only requirement upon taking this job was that a museum be constructed to hold his natural history artifacts. H.M. King Leopold I dedicated this structure in 1844. On that occasion, the society added the predicate Royal to its name.
Situated near the Veemarkt in Antwerp, Belgium, is the Roman Catholic church known as St. Paul’s Church (Dutch: Sint-Pauluskerk). Its interior is distinguished by its elaborate Baroque decorating, while its exterior is primarily Gothic with a Baroque tower. In addition to numerous sculptures and church furnishings made by eminent Antwerp sculptors like Pieter Verbrugghen I, Jan Pieter van Baurscheit de Elder, Jan Claudius de Cock, and Andries Colyns de Nole, it houses paintings by Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens. The Calvary outside the church, which consists of nine reliefs and 63 life-size sculptures done in a popular and theatrical style, is especially noteworthy.
Established in 1810, the Koninklijk Museum voor Schone Kunsten Antwerpen, also known as KMSKA, is a museum located in Antwerp, Belgium. Its collection comprises paintings, sculptures, and sketches spanning from the fourteenth to the twentieth centuries. Since the fifteenth century, Antwerp, Belgium, and the Northern and Southern Netherlands have been home to art enthusiasts whose tastes and artistic output have been reflected in this collection.One of the main attractions of Antwerp’s Zuid neighborhood is the neoclassical structure that houses the collection. Created by architects Jean-Jacques Winders (1849–1936) and Frans Van Dijk (1853–1939), the imposing structure was started in 1884, inaugurated in 1890, and finished in 1894. The building’s sculptures include two bronze statues of the sculptor Thomas Vincotte’s Pheme, drawn by horses in chariots, and seven rondel medallions featuring the artists Boetius à Bolswert, Frans Floris, Jan van Eyck, Peter Paul Rubens, Quentin Matsys, Erasmus Quellinus II, and Appelmans, which are divided by four massive sculptures that stand for architecture, painting, sculpture, and graphics.
The old residence and workshop of Peter Paul Rubens (1577–1640) in Antwerp is known by its Dutch name, the Rubenshuis. After buying the Flemish mansion in 1610, Rubens had it expanded and refurbished using his own designs. The house and its courtyard garden after the restorations had the perspective of an Italian palazzo, reflecting Rubens’s artistic goals. Currently, the ensemble serves as a museum specializing on the paintings of Rubens and his peers.Rubens started building an Italian-style mansion on the then-Vaartstraat (now the Wapper, 9–11), which was at the time situated along the banks of the Herentalse Vaart canal, a year after he wed Isabella Brant in 1609. Based on research on Italian Renaissance palace construction, which served as the model for his own Palazzi di Genova, Rubens designed the structure himself. His house, studio, a colossal portico, and an interior courtyard were all included in the plan. He also designed the Baroque garden that opens from the courtyard.
Located in the center of Antwerp’s Schipperskwartier on the Veemarkt, is the late Gothic church known as the Sint-Pauluskerk. The church boasts an amazing collection of works of art and a moving divorce. He is betrothed to the Apostel Paulus and hanged from the Antwerp Cathedral.Situated in the heart of the Zeeland woodland, the Antwerp Sint-Pauluskerk is situated atop the stone wall of the Schelde River. The church was built as a Dominican convent in the sixteenth century. Built in 1276 by Albertus Magnus, it was completed in 1517. He served as both a plaats vanwaar preacheren uitgezonden to the voornamelijk Protestantse North-Europe and an intellectual center of astute concern.
Located in Bruges, West Flanders, Belgium, the City Hall (Dutch: Stadhuisⓘ) is the city’s seat and a notable structure. Constructed during the period of 1376 to 1421 in a late-Gothic colossal style, this city hall stands as one of the oldest in the former Burgundian Netherlands. It is situated in Bruges’ downtown on Burg Square, the site of the old defensive castle.The municipal council continued to meet in the old Ghyselhuus, which had already become redundant as the Count of Flanders’ jail following a fire at the city’s Belfry in 1280. The Ghyselhuus was demolished and replaced in 1376 with a newly constructed council building. The cornerstone was laid by Count Louis. Jan Roegiers was tasked with overseeing its construction, and the project was finished at the end of 1421. The City Hall, the first municipal council structure in Flanders or Brabant in the late-Gothic colossal style, is a testament to the political and economic might of the city during a period when Bruges’ population was estimated to have exceeded 37,000, if not 45,000.
In Bruges, Belgium, there is a Roman Catholic basilica known as the Basilica of the Holy Blood (Dutch: Heilig-Bloedbasiliek, French: Basilique du Saint-Sang).A relic of the Holy Blood, purportedly gathered by Joseph of Arimathea and transported from the Holy Land by Thierry of Alsace, Count of Flanders, is kept in the church. Constructed as the Count of Flanders’ chapel between 1134 and 1157, it was elevated to a minor basilica in 1923.Burg Square’s basilica is divided into an upper and basement chapel. Almost unaltered, the lower chapel honors St. Basil the Great and is a somber Romanesque building.The upper chapel, which was refurbished in the 19th century in the Gothic Revival style after being rebuilt in the 16th century in the Gothic style, houses the revered Passion relic.
One of Brussels’ main squares, Grand-Place (French for “Big Square”) or Grote Markt (Dutch for “Big Market”), is a famous landmark in Brussels, Belgium. It was included as a group in the UNESCO World Heritage List in 1998 and is regarded as one of the most beautiful squares in Europe because of the Gothic town hall and its shuttered baroque facade.The area was first a swampy area that was unsuitable for construction, and nothing was developed there until the 11th and 12th centuries. In the 1800s, it was drained and the first homes were constructed on the nearby sandbanks. Some houses’ previous names reflect this. The home “L’Arbre d’Or” was formerly known as “La Colline/de Hille,” while “Le Cornet” was referred to as “La Montagne/the Mountain.” Additionally situated on a sandbank is the “Rue de la Colline/Heuvelstraat,” which goes into the northwest corner. The surrounding homes were partially constructed on posts in the marshy land, and the square was originally known as “Nedermerct” (Nieder/Untermarkt), even though it remained wet for a considerable amount of time. The pitch was 1.20 meters lower back then than it is now.
Primarily built in the 13th, 14th, and 15th centuries, the Church of Our Lady (Dutch: Onze-Lieve-Vrouwekerk) is a Roman Catholic church located in Bruges, Belgium.Standing at 115.6 meters (379 feet) high, the tower is still the highest building in the city and the third-tallest brickwork tower globally, following the German churches of St. Martin’s Church in Landshut and St. Mary’s Church in Lübeck. The church’s notable Flying buttresses, which were built in the 1270s and 1280s, are examples of the Gothic architectural style.The nave’s flooring is tiled in black and white and features cross vaults.The interior’s side aisles and chancel showcase the richly decorated Baroque style. As a place of private prayer for a wealthy man named Lodewijk van Gruuthuse, one of the church’s chapels was constructed in 1482.
The square was originally enclosed by access doors and walls. It is a part of the city’s oldest neighborhood. The strengthened stronghold stood at the intersection of the River Reie and the sand road, which may have been a Roman route connecting Oudenburg and Aardenburg. The castle occupied an area of around one hectare. The 1.5-hectare castle was transformed into an imperial power center by Arnulf I (889–965). Het Steen, one of the Counts of Flanders’ houses, stood on the western side of the square from the eleventh until the end of the thirteenth century. The north of the fortification housed the castle church, built in honor of St. Donatian and Our Lady.
The Roman Catholic cathedral in Bruges, Belgium is called St. Salvator’s Cathedral (Dutch: Sint-Salvatorskathedraal), often referred to as the Cathedral of the Saviour and St. Donat. The cathedral honors Saint-Donatius of Reims and the Verrezen Zaligmaker (Dutch for “risen savior,” see Latin salvator, “savior”).The area was first a swampy area that was unsuitable for construction, and nothing was developed there until the 11th and 12th centuries. In the 1800s, it was drained and the first homes were constructed on the nearby sandbanks. Some houses’ previous names reflect this. The home “L’Arbre d’Or” was formerly known as “La Colline/de Hille,” while “Le Cornet” was referred to as “La Montagne/the Mountain.” Additionally situated on a sandbank is the “Rue de la Colline/Heuvelstraat,” which goes into the northwest corner. The surrounding homes were partially constructed on posts in the marshy land, and the square was originally known as “Nedermerct” (Nieder/Untermarkt), even though it remained wet for a considerable amount of time. The pitch was 1.20 meters lower back then than it is now.
This canalside street has been known as Zoutdijk for generations. Eechoutte’s Salt Alley was referenced in 1390. Therefore, it is likely that a jetty where the ships that supplied salt were unloaded was located there. Rozenhoedkaai did not become a common name until the 18th century. The reason was that there were stalls set up there selling rosaries. Linguists have not looked into why ‘kaai’ or ‘dike’ was selected in some instances instead of the more often used word’rei’.
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